![]() ![]() “I’ve just always liked him as a singer,” he says. He has nothing specific to add about the joys of Medley’s voice itself. “I went to see his show and talked to him and then when I was doing the track I just got him on,” he says. Morrison was recording in Las Vegas when he heard Medley was performing there and sought him out. “It was a solo album after he left the Righteous Brothers.” “I’d been listening to one of his albums, last year sometime,” he recalls. He is a touch more forthcoming about Medley. “It’s just what he does,” he says bluntly. “I mean what else, what other reason?” But where and how does that genius show itself? Where does it hit him? Morrison stares at me. ![]() It would apparently be wrong to read too much into Berliner’s return, or to delve too deeply into Morrison’s affection for his playing. ![]() It includes March Winds in February – a sublime example of Morrison songwriting – plus a duet with the Righteous Brothers’ Bill Medley and contributions from Jay Berliner, the guitarist who appeared on 1968’s beloved Astral Weeks. ![]()
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